Chungking Espresso

Enjoyment Famine in Second Dublin

Posted in Game Analysis, Schoolwork by Simon Ferrari on October 16, 2008

So after going through the list of virtual worlds we could visit for this assignment, I found that Second Life was the only world I could visit on my Mac (though apparently There.com plans to allow Mac access soon). I then settled on the Dublin SL world, so that I could see how closely the virtual Dublin maps to the memories I have of living there for three months. I’ve never played one of these entirely social virtual worlds before, so the experience was quite disorienting.

Arriving on the campus of the virtual Trinity College I was assaulted by a straightforward, yet aesthetically ungainly, UI at the bottom of my screen, a help bubble at the top right of the screen telling me that I should look at the tutorial bubble at the top left of my screen, an avatar bot periodically welcoming me to Dublin and directing me to the Blarney Stone pub, and streaming audio explaining the ideas and technical work behind Second Life as a whole. All of this baffled me and made me wish that I’d started my second life at Linden Lab’s tutorial center or Avatar Island. Character creation was frustrating. I found the number of options for sculpting my body appealing and helpful, but when it came time to design my face I found that I couldn’t really make my avatar look even close to a cartoon version of myself. Then the hair that I designed sprouted out of this ugly default hair sitting on my head, and I looked like some kind of grey-haired freak with poorly implanted black plugs. When I tried to change out of the default clothes I was confronted by this strange data tree that I decided must be the file directory for storing the things I created. The interface confused me, so I closed it and flew off in my default grey shirt and jeans.

I arrived at the Blarney Stone. Entering, I was greeted by a few players who could tell I was a newbie by my clothing. Some of them welcomed me and offered their assistance, while one told me to leave the bar until I got rid of my “nob cloths.” On the bar was a beer tap that I touched in order to receive a glass of Guinness, which when placed in one of my hands automatically lifted itself to my lips to allow for occasional sipping. This was probably the only positive experience I had during my visit to Second Dublin. Someone private messaged me that he was from the Sunny UK, asking me where I was from and whether or not I wanted to chat upstairs. I clicked on a spinning disco ball that made me dance even after I moved, sat in a bar stool, and flew out the door in an effort to stop the crude animation that had taken over my body. As I left the bar somebody bit my neck and the game offered to let me become a vampire if I wanted to. I’d get to wear bite marks on my neck and fangs in my mouth, but I’d have to feed off of other players afterwards. I “ignored” the vampire mode request. I then tried to follow the street from Trinity College to the Irish Film Center where I worked during my time in Dublin, only to find that the street dropped off into the ocean a block from the Blarney Stone pub. Looking for the button I needed to press to disconnect from Dublin SL and enter another realm, I couldn’t find what I was looking for. I was distinctly reminded of Sartre’s “No Exit;” something told me that I had downloaded Hell onto my computer. So I hit the “x” button at the corner of the screen, and I’ll probably never return to Second Life ever again unless under duress.

So the question is, “How could my experience in Second Life been improved?” Admittedly, I probably didn’t give the game a fair shot. Spending a few more hours there, I could’ve designed my avatar’s body to a rough approximation of my own. If I’d purchased a couple of Lindenbucks I would’ve been able to buy some clothes that might not have given me away as a “nob.” If I’d been interested in dancing with other players, having cyber sex, or being a vampire, then Second Dublin seems like it would be a great place for me to participate in these activities.

Celia Pearce describes an “Uru Diaspora” of players who moved from the destroyed world of Uru Online to There.com and eventually Second Life. These players became influential members of their new communities, modeling buildings after the conical structures of Uru and integrating features such as Uru’s “Age” system and puzzles into their new habitats. A “World of Warcraft” diasporic virtual world in Second Life might have helped me as a new SL’er understand what the heck was going on when I first entered the world. I could imagine such a realm coming with either a UI mod that made the game look more like that of Warcraft, or at least a tutorial that would explain how specific parts of Linden’s system of character creation mapped to WoW’s simple, familiar avatar generator. Everybody starts out in Warcraft with obvious “noob” clothing, but they are given ample opportunity to complete simple quests in order to start accumulating a unique wardrobe. I didn’t like that I had to either buy Linden currency or get right into designing my own clothing in order to look unique. I considered the lack of combat in Second Life, even against mobs or NPCs for the purpose of gaining currency, to be a severe limitation of player action. In “Lessons from LucasFilm’s Habitat” the creators of that early graphical virtual world describe how the best way to engineer a world in cyberspace is to allow for basic player interactions and then to help develop the world in the direction that the players themselves desire. What I can assume from my experience in Second Life is that most of its players didn’t have any desire for combat or character development through violent means. I respect this decision, but would like to assert that players should at least be able to choose between realms designed specifically for socializers or killers and achievers. Please note that I’m not implying that a game must have combat in order to be fun, but there is simply a difficulty here in going from environments based on combat and advancement to one that so swiftly involves players in massive parties and object design.

Now I didn’t personally run into any of the heavy sexual or racial griefing that I’d read about in newspapers and blogs and, to be truthful, really wanted to run into it so I could personally experience its disruption of the virtual world’s constructed fantasy. Mnookin (in “Virtual{ly} Law”) and Julian Dibble both explain the common MUD mechanic of the @gag in their explanation of how most players can squelch communication from offensive players to themselves. Mnookin makes the interesting point that most MUDers actually don’t use the gag command, because it leads to awkward situations where other parties in a room haven’t gagged an offender or where a naïve annoying player suddenly realizes they’ve been gagged and become hurt or confused. In any case, I assume that in Second Life there is a way to gag the communication coming from other players. I don’t know if this already exists (and I’m assuming it doesn’t because of what I’ve read), but it seems like one should also be able to gag or squelch the objects (flying penises or what have you) created by offensive players as well – simply by left-clicking them or something equally easy to do.

Pavel Curtis’s work in “Mudding: Social Phenomena…” toward identifying player types on social MUDs certainly seemed to carry over well into graphical virtual worlds. He mentions that, without an overarching narrative setting like the early MUSHs focusing on the fictional Pern universe, players are free to mix different fictional universes within one game. Comically he mentions the trope of the “mysterious yet subtly powerful” player description. This type of character creation and fiction mixing definitely comes into its own on Second Life, where people can literally design, show off, and sell their costumes that they bring with them from so many other worlds and communities. I can’t really find room for criticism here, except perhaps to reiterate the confusion I personally had with the design system and the data tree where SL stores one’s designs. I suppose one could also say that Second Life clearly hasn’t kept up with improvements in graphics and video cards the way Warcraft has (with each expansion the graphics improve slightly). Perhaps this is a deliberate decision in order to leave more to the imagination and allow amateur designers to make things look reasonably good for the platform, but I think that recently games like Spore have shown that it’s easy to develop complex textures and other enhanced visual features within easy-to-use templates. Also, I wonder if perhaps Linden Labs has failed on some level to pay attention to one of the prime “Lessons from LucasFilm’s Habitat:” namely, that to whatever degree possible for a specific project one should separate the content and the presentation of a game at the coding level, to allow a game to evolve graphically as platforms and technologies change and develop.

Achievers in Achaea and Azeroth

Posted in Columns, Schoolwork by Simon Ferrari on October 16, 2008

This post gave me the opportunity to visit two of my old virtual stomping grounds, Achaea (Iron Realms MUD – http://www.achaea.com) and Azeroth (WoW); the fact that I made these visits in the town where I did my undergraduate work (Athens, itself a fantasy land of liberal arts education) made this experience triply nostalgic for me. In Achaea, Azeroth, and Athens, I’ve always mapped myself to the “Achiever” style in Bartle’s typology. I know the assignment here is to study an MMO, but it’s always been my experience playing graphical MMOs that I find them lacking key features of the MUDs I played that, for me, made them truly worthwhile gaming environments. What I hope to show is that in both of these worlds the “Explorer” type has practically faded into non-existence, having been integrated into the “Achiever” and “Killer” archetypes, while giving rise to a new type that I’ll call the “Streamliner” or “Automator.” Also it is a major (career, or life) goal of mine to conceive of ways that many of the more unique components of commercial MUD architecture might be integrated into the more future-looking graphical MMOs. I will not mention developments in the “Socializer” type, because it has been my outside-looking-in experience that socializer communities in virtual worlds have continually stuck to what they do best in text-based and graphical worlds alike: gossip, role play, act as group therapy, and perform cyber sex (for an in-depth discussion of my formative cybersexual experience as a fifteen-year old being seduced by a married 40-year old female player – which definitely hammered in the fact that Baby Boomer gamers seek “mature” companions in games [Pearce 10] – you’ll have to buy me a drink).

Achaea was the first MUD to allow for the purchasing of virtual property with real-world money. Its creator, Matthew Mihaly, sought to create a commercially viable alternative to subscription fees. On the whole this enterprise has paid out well for him:  his MUDs have enjoyed ten years of commercial success, employed many players who worked their way up to administrative positions, granted him keynote speeches at game developer’s conferences, a technical editor job on Bartle’s last published book, and in the past year given him enough clout to begin development on a casual, family-friendly, browser-based, “free” graphical MMO (Earth Eternal, budget $4.25 million). Virtual property paid for in real cash also helps to regulate the gold economies of his games and bypass the deeply ethical problem of Chinese gold farming. The fact that virtual property carried significant real-world costs also meant that the Baby Boomer gamers with significantly higher incomes than teenaged players (Pearce 7) had an advantage in Achaea. Here’s the non-ethical result of paid virtual property: in WoW any achiever or killer must spend time in order to gain dominance over competitors and friends, while in Achaea one must spend money. Either of these systems becomes grossly unbalanced on a long enough timeline lacking intercession by game administrators and coders; Taylor describes how hard these imbalances are to fix when considering the economic and technological constraints on game developers (Designers 3). WoW solves this problem by frequently patching new content into their world and making all but the best tier of gear/loot progressively open to acquisition by progressively more casual players (with the introduction of heroic badges for epic gear, for instance). Achaea does significantly less to solve this problem. Outside of allowing players to trade gold for credits (real currency converted into the ability to gain new skills or virtual property), the game rewards players with credits if they compose literature or histories on the game world, with helping train new players, and with in-game events such as hunts and quizzes. So even though Achaea does less coding work to solve the problem of balance, they do so in a way that fosters community development and the creation of fan-fiction that becomes a meaningful component of players’ virtual world. I mention all of this because these differences had profound effects on how I progressed through these two worlds and related to my virtual body as an achiever type.

The life of an achiever is hard, indeed. Myopic as I am, I see socializers as noisy nuisances in the way of me accomplishing my goals and killers as either hyperactive teenaged boys or sexually frustrated baby boomers sitting in the dark cackling to themselves madly (also, nuisances in the way of me accomplishing my goals). As mentioned by Bartle, achievers also struggle with a sort of “grinder’s depression” when for long periods at a time they realize that they’ve turned a multiplayer game into a solipsistic quest to reach the end of something with no win condition. In Achaea I was always kept from achieving the top levels of experience by the fact that I was a teenager with no money to buy enough virtual property to compete with older players, while in WoW I was constrained by the fact that I wanted to achieve real-world good grades – keeping me from spending enough time raiding to get the best gear. In this way I can be seen as a complete failure of an achiever. There is a reason, after all, that I don’t play massively multiplayer games of any sort these days. The only solace I have is the chance that maybe one day I will be in the now-enlightened position to create game content that might ease the feelings of inadequacy that players like myself end up feeling at the end of inhabiting a virtual world for a year or so. The problem, of course, is that commercially viable games are usually the most fun to play; and in the case of MMOs, “commercially viable” means “manipulative in such a way that most players never feel completely satisfied by their experience.” This is what keeps us achievers coming back for more. Perhaps the vicious practice of creating purposefully addicting, ultimately unsatisfying content might be countered by an acceptance by the medical community of some definition and analysis of “video game addiction,” but at this point no such affliction has been taken seriously (though at my father’s drug company they treat it, on an ad hoc basis, as most similar to alcoholism). To make my main thrust here explicit: players who map to the achiever type are the most likely to suffer from video game addiction (this is something I am likely to expound on in the thesis I plan to undertake). I am actually not blaming game developers here, because they need to make money to support their companies and their families; market forces, or perhaps other aspects of the Hegemony of Play that go largely unquestioned, cause this problem.

One way that the boredom of grinding has been countered in games by developers is through allowing automation and interface customizability. These features killed the Explorer type and gave rise to the Streamliner. In MUDs this started out as allowing aliases (setalias dh “drink health potion”) and triggers (if “you run about in fear flapping your arms incessantly” then command “compose self”). At first it was necessary for Explorer types to explain to achievers and killers how they might use these affordances to crack the code of the game world in order to grant the user access to a more streamlined experience. Because this gave rise to infinitely more complex and fast combat situations, developers made the virtual worlds all the more complex to equalize the experience. Once this happened, any player hoping to kill or achieve had to quickly learn to automate and understand the game world’s code in order to compete or stay alive. The upshot of this is that virtual worlds allowing for streamlining become increasingly more arcane and frustrating to new players, and (in my opinion) less realistic on the whole. Let’s look at a specific case of this in Warcraft.

The healers (be they druid, priest, shaman, or paladin) in a raiding group download a UI mod that allows them to input the names of the most important healing targets (usually the tanks, then the damage dealers, then the other healers); their UI then automatically chooses the raid member that most critically needs healing attention, and when they click on the key that is aliased to whatever healing spell they wish to cast the spell goes directly to that member. The Streamliner player type usually educates members of the guild on which UI mods to install, and usually even has a controlling program that allows them to synchronize and tweak the UIs of most of the raiding party before an encounter. In WoW we call these players Raid Leaders. They study encounters and the latest mods, and they’re usually the most important member of a guild (especially if they’re also the main tank). This allows for more competent, efficient team play and is all but necessary when a guild hopes to down Azeroth’s most fearsome bosses. But I feel that any feeling of realism developed by the virtual world suffers greatly when every player has a UI that tells them what to do faster than they could possibly ascertain with their own brains and fingers. One might say that realism isn’t important to their game experience in a fantasy world, but I feel that some semblance of reality must be present in order to allow a willing suspense of disbelief in a virtual world (again, maybe this isn’t important to everyone). I would also like to suggest that this automation and organization by the raid leader is also a major contributor to the feeling of many WoW players that their experience in Azeroth “is more like a job than a game.” In the long run this notion might detract Baby Boomers from participating in end-game content, because they seek experiences that take them away from their busy work lives (Pearce 8). On the other hand, the allowance of UI mods and automation features can be seen as a way for game designers to open up the design space to their players in a meaningful way, breaking down the narrative structuring division between devs and players described by Taylor (Designers 1-2). In any case, I hope that I have sufficiently showed that “Explorer” is no longer the correct name for this player type, and that to a degree every player, be they killer or achiever, has had to integrate streamlining into their play style.

Finally I want to return to the Socializer type that I’ve avoided talking about. I think the major reason this category has always appealed to me the least is because not enough work has been done for making their interactions with non-socializers in online worlds meaningful. WoW does some work in this direction by making end-game content inaccessible to most people who aren’t willing to organize into a guild. Guilds in WoW range from the pure socializing sort, to loose clubs filled with casual players, to the highly stratified and respected raiding guilds. All of these, especially the raiding guilds, feature high levels of socializing, and usually this communication is a rich mix of interaction both about the game world and people’s outside lives. This is a case of achievers having to become socializers in order to access key game content. But does this go far enough? Even though end-game raiding guilds are an important part of the WoW community, everyone else in the virtual world could go on playing happily if they didn’t exist. Achaea provides an achievement structure for socializers and a social structure for achievers that might be utilized to improve social structures in games like WoW.

In my opinion, the most underdeveloped feature of WoW is the cities. Most buildings in Azeroth are a shop or a quest hub barracks; if they don’t fall into this category, then they are either closed off “wasted” space or relatively unstructured tavern spaces created for roleplaying magic. Although inter-city raiding used to feature prominently in the life of WoW players, this trend has diminished as of late because of the hassle of organizing a group and the lack of a reward for successfully killing a city leader mobile NPC. Contrast to the first few minutes of playing Achaea, during which you choose a city from a random list of names (with some information provided, such as “Shallam is the City of Light”) and then thrust into the citizenry. Everyone in the city welcomes you, and they tell you to ask them if you need any help finding your place in the world; the city provides every incoming citizen with a link to the city’s charter and instructions on how to join one of the city’s Great Houses as an apprentice. This both immerses the player instantly in an environment keyed toward firm organizational forces (Designers 5) and legitimizes the virtual world as a place for serious roleplaying and social development (Designers 7). The Houses in Achaea used to be called guilds, but I believe this changed when the concept of a “guild” was diluted by larger MMOs such as Warcraft. They are essentially groups of individuals formed around a shared interest in either combat, socializing, lore, or hunting (or all of the above) and a common ethos (in Shallam most Houses seek to “defend the Light,” “serve the Church of All Gods,” or “live in service toward improving the lives of all Achaeans”). Organizations centered around values and community involvement definitely led to the large numbers of Baby Boomer gamers who called Achaea their home (Pearce 10, 12).

Inside cities and Houses there is an achievement structure (called City Rank 1-6 and House Rank 1-15) and customizable formalized positions such as “Minister of Defense” and “Head of Diplomacy.” The members of cities and Houses can call referendums on changes in their organization’s structure and leadership – to the extreme points of choosing to devote themselves to a different God (roleplaying game administrator) or switching executive leadership from an Autocracy to a Triumvirate. The upshot of this is that people care deeply about their cities and their Houses; I’ve seen socializers on numerous occasions organize themselves into crude and massive armies in order to defend their city streets or seek vengeance on fleeing raiding parties. It also forces Achievers to develop interpersonal communication on a variety of levels: as a teenager playing Achaea I learned how to write high-quality essays on lore/history and philosophy, run for political office, and work in groups to formulate organizational charters and growth plans. Finally, it provides a meaningful avenue for Socializer types to influence the game world at large. All of this allows the development of identity (“I am Shallamese”) and social responsibility (“I am loyal to Shallam’s laws and citizenry”) that Taylor mention as key factors in embedding values in virtual worlds (Designers 5-6).

One organizational structure in Achaea that I wish I had room to talk about are the religious Orders, which provide close relationships between players and the game admins called Gods. These groups provides players with access to the thoughts of the game developers and provide a better forum for suggestions on how to change the game than online message boards usually do, because they are in real time and grounded in the virtual world. I feel that both Taylor and Pearce’s Baby Boomers would appreciate the “more variable non static world” that these Orders engender (Pearce 12). It should be noted, however, that the Boomer population of Achaea has dropped off in recent years because of Warcraft’s mammoth influence and an increased emphasis on player combat in Achaea.

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